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“I’ve been looking at [Keret’s] Substack and it’s so witty and enjoyable, and he’s clearly having a wonderful time doing it, I thought, ‘maybe I could do that’” — Salman Rushdie, The Guardian

Flight Mode

And there is also that feeling of tightness in the chest, tears stuck in your throat unwilling to come out. It’s always there. It’s the default. All the stuff around you—that’s what keeps changing. Sometimes you’re about to miss a deadline, sometimes you drink your coffee with regular milk because they’re out of oat milk, sometimes your kid comes up to you out of nowhere and gives you a hug. And every single thing makes you want to cry, but nothing actually ends up turning into tears. Like an end to the war in Gaza: it’s always close, and it always doesn’t happen. So here I am sending my wife a selfie from the plane on my way to another event overseas, so that she can see that despite all the chaos and the airport delays, I did get on the plane, where I have a seat reserved just for me, and I’m sitting in it and no one’s yelling at me to get up. She can see that I’m not crying and that everything is truly, really, okay.

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Endlessly inventive short stories

Yet for all its vast reach, Keret’s prose, translated from Hebrew by Jessica Cohen and Sondra Silverston, is downbeat and matter-of-fact. It’s full of people negotiating the bewildering and alienating and bathetic furniture of modernity: Tinder dates, Zoom calls, Skype meetings, virtual reality, small ads, tedious queues, spoiler alerts, unexpected deaths. Autocorrect isn’t so much a book as a library of tiny books, from an author who conveys as well as any I can think of just how much fun you can have with a short story.

— Sam Leith, The Guardian

 
Photograph: Rolf_52/Alamy — Selfie sticks and surrealism in Autocorrect.

אוטוקורקט

"היקום הקורס אל תוך עצמו של קרת הוא היקום שלנו, ולמול התחושה שלא נותרו לנו בו כמעט שום נקודות ייחוס יציבות, הכתיבה הקרתית היא נקודת ייחוס יציבה; ומוכרותה, שבנסיבות אחרות הייתה יכולה לשמש כטיעון כנגדה, הופכת לעוגן חיוני מתמיד. כי בקיום שמשתנה באופן בלתי נסבל כל כך, הופך הקבוע והיציב לאפשרות היחידה שלנו לזהות את עצמנו, לנקודת הייחוס שלמולה אנו יכולים לתפוס את ההשתנות ולאמוד את דרכנו על פני המסלול הבלתי מובן שעושה הכוכב שבו נגזר עלינו לחיות."

- שירי ארצי, ידיעות

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“What About Me?“

Written by Etgar Keret and Shira Geffen for “Short Stories on Human Rights“ (2008).

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Random quote

my legs take me toward the edge of the roof. It's like scratching a wound, like ordering another shot of Chivas when you know you've had too much to drink, like driving a car when you know you're tired, so tired.

— "Fly Already"

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איך זה נגמר בסוף כולם יודעים

נקמה מול נחמה — זהו העימות האמיתי המתחולל כרגע בישראל, והוא מתקיים בכל הגזרות: מפגישת הצעקות של ראש הממשלה נתניהו עם ראשי מערכת הביטחון ועד להתפרעות בשדה תימן. אלוהים גדול, על זה כולם מסכימים, אבל מה עומד אצלו קודם ברשימת המטלות: פדיון שבויים או מחיקת זרע עמלק?

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Words Without Borders, 2010

I believe that there is a truth. I believe it is very difficult to articulate that truth. I try to go in that direction, but I don’t pretend I will get there.

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New York Times, 2012

For Keret, the creative impulse resides not in a conscious devotion to the classic armature of fiction (character, plot, theme, etc.) but in an allegiance to the anarchic instigations of the subconscious. His best stories display a kind of irrepressible dream logic

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